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Pinch_Bespoke Twitter Roundup: Week of 17 November...
21 November 2008
A journal of business communication.
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Twitter Roundup: Week of 17 November.
Face:
LetterCult
interviews BUSK, one of Austria’s most prolific (and media diverse) alternative designers.
Inform:
Pinch is pleased to be assisting Forest Park Conservancy with the development of two newsletter formats; electronic and printed.
Travel:
London's Design Museum presents Design Cities; contemporary design through 7 key cities. Through 4 Jan.
Reply:
AIGA
Small Talks
(NYC) hosts Lars Müller, who asks, "why the hell do all designers want to design books?"
Post:
HOW
magazine introduces newest design showcase: HOW Poster Design Awards. Initial deadline is December 1.
Reset:
FontShop (re)introduces FF Trixie, the typewriter font family in new, expanded, high-definition. Via
FontFont.
Shift:
Lowercase, Inc. approaches business as a design problem. And design as a means to conduct business.
Appreciate:
We just eclipsed 300 followers here at
Pinch_Bespoke.
Thanks to all for listening! Let us know how we're doing. Or just say "hello."
Listen:
DNA hosts David Adjaye and Kevin Starr to discuss The Metropolitan President and Architecture and Design.
Curate:
A move to build a design museum in Portland takes a big step forward. Join the Facebook group. Please RT!
Seen:
Dwell
magazine's Dec./Jan. issue provides an Introduction to Graphic Design from William Drenttel and Jessica Helfand.
Edit:
Minimalist Ignacio Uriarte references conceptual art of 60s and 70s; an exchange of art and business.
Experiment:
MINI announces official public field trial of first, 100% electric, zero-emissions MINI. RT @marcalt.
Advance:
Pinch evolves program materials for Portland Office of Sustainable Development's BEST Business Center.
Want:
Chad Ludeman's 100K House project is about affordability, quality, design, efficiency. RT @greenbiztweets.
Contemplate:
Bruce (NussbaumOnDesign) for
BusinessWeek.
Treasury Secretary Henry Paulson is the Grand Designer.
Spec:
Sander Baumann on the Dutch government's adoption of Peter Verheul's custom typeface; Rijksoverheid.
Clarify:
Paul Shaw shares the (mostly) true story of Helvetica and the New York City subway system. For AIGA.
Give:
It's that time of year again, and our friend Tess Darrow's Egg Press brings on the strong letterpress.
Account:
You've seen this before. But damn, it covers 1,000 pages and 47 years. Warren-Leigh's
Red Letter Days.
Extend:
After 25 years, Dutch 010 continue to build upon their
Guide to Modern Architecture in the Netherlands.
Meet:
The granddaddy of sustainability conferences,
Greenbuild 2008
begins in Boston tomorrow. Nov. 19-21.
Titter:
Vanity Fair
on Thomas Kinkade's 16 Guidelines for Making Stuff Suck. You know sucky. Like Kinkade himself.
Share:
I Love Typography
serves up The Week in Type. WordPress, posters, interviews, and general ruminations.
Snicker:
Contemporary artifacts and the universally absurd. Mr. Ferris recalls one exhibit at London's Boilerhouse.
Quote:
"The orbit of human vision has widened and art has annexed fresh territories that were formerly denied to it." Max Bill
Slip:
Agency Taxi whips up a Twitterstorm with a typographic spot for Motrin. Moms fight back in social media(s).
Spend:
Another telling graphic from the fine folks at
GOOD.
The Three Trillion Dollar War (in ten easy steps).
Cite:
With a nod to AAUP's
Book, Jacket & Journal Show,
The FontFeed
recaps top ten typefaces used among winners.
Covet:
Official Swiss Railway Watch from Mondaine, 1986. Modeled on Hans Hilfiker's 1940's Railway Station Clock.
Posted by
Eric Hillerns
in
Twitter
| 21 November 2008 |
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